Avid Get Technical: The 32-Bit Color Pipeline

In Avids newest technical paper, you’ll learn how Media Composer’s 32-bit floating point color pipeline brings you high bit-depth, HDR color grading workflows and video effects processing, helping you increase efficiency and reduce churn in collaborative workflows, You’ll learn:

The advantages of DNxHR and DNxUncompressed codecs when preserving color metadata and lossless collaboration

The importance and value of ACES (Academy Color Encoding System)

IMF (Interoperable Master Format) when used to submit deliverables to broadcasters and other organizations that have a standardized master file delivery format

Get the technical paper now—for an in-depth look inside the new Media Composer 2019.